Book chronicling 100 Years of drama in Sikkim launched

KUNAL RAI

GANGTOK, : Sikkim Akademi hosted a book launch ceremony at the Mini Theatre, Manan Kendra, Gangtok, on Thursday to unveil a new book by renowned writer, artist, and dramatist Chunnilal Ghimiray. The book, which documents the 100-year journey of drama in Sikkim, also includes four original plays written by the author.

Marking the centenary celebration of Sikkimese drama, the Akademi also organized a panel discussion on the history, present status, and future direction of the dramatic arts in the State.

The event was graced by Padma Shri awardee and literary icon Sanu Lama as the chief guest. Other dignitaries included fellow Padma Shri awardee and folk singer Naren Gurung, Shova Kanti Thegim Memorial Trust president Dup Tshering Lepcha, Nepali Sahitya Parishad (NSP) Sikkim president Hari Dhungel, and several eminent literary personalities from within and outside the State.

In his welcome address, Sikkim Akademi president S.R. Subba expressed pride in launching a book that captures a century of Sikkim's dramatic tradition. “Drama is the root of literature—a reflection of society in its time,” he said. “While we often focus on other literary forms, it’s crucial to revisit and recognize the foundational role drama has played.”

Subba emphasized the need to preserve, promote, and plan for the future of Sikkimese drama. “This panel discussion aims to outline a roadmap for its revival and growth,” he added.

During the event, the book was officially released by the chief guest and other distinguished guests.

In his keynote address, Lama highlighted the rich cultural and artistic talent within Sikkim. “Our State may be small, but it’s filled with extraordinary potential. The theatre scene is thriving, thanks to the growing involvement of artists. It’s essential for the youth to take interest in drama as a literary discipline, which could help project our cultural narratives to a wider audience,” he remarked.

He encouraged young people to treat drama not just as a hobby but as a serious profession, noting that the art form existed in Sikkim well before its merger with India. “Dramas like Kamal Natak were being staged in the 1950s,” he noted. “Chunnilal Ghimiray’s book serves as a timely documentation and inspiration for future generations.”

Speaking at the event, Ghimiray underlined the importance of preserving drama as a cultural heritage. “Drama embodies art, culture, and civilization. Many countries have institutionalized drama; we must do the same to keep this legacy alive. This book is an attempt to contribute a lasting document to our cultural history,” he said.

He stressed the need for local stories to be told and preserved. “We read about the heroism of others but we must also celebrate our own history. If we don’t preserve our work today, we may lose it tomorrow.”

A panel discussion followed, focusing on the current status, preservation, and future of Nepali-language drama in Sikkim.

Senior litterateur Rudra Paudyal recalled the long-standing tradition of theatre in the region, dating back to the monarchy. “We once performed dramas written by others, but now it’s time we write and perform our own stories,” he said. He cited mobile phones and television as reasons for dwindling audience numbers and called for stronger institutional support.

Playwright Kiran Thakuri echoed this, emphasizing that good content still has the power to attract audiences. Writers must stand by their creative integrity, despite social or political pressures, he said.

Professor Dr. Tejman Baraily praised Sikkim’s dramatic legacy and discussed various forms, from traditional to modern.

Meanwhile, veteran artist Rupa Tamang shared that women have been involved in Sikkimese drama since the 1960s. She mentioned early female dramatists like Sarita Gurung and Aarti Rai and called for more opportunities for female storytellers.

“Drama can reflect and challenge societal norms,” she said. “If we organize competitions and workshops regularly, the genre will thrive.”

Young artist Shraddha Chhetri urged the inclusion of drama in school curricula and highlighted the shortage of venues for performances. “Each district should have its own drama hall,” she proposed.